|
Перевод: microphone
[существительное] микрофон
Тезаурус:
- "Are you really saying that the company is to blame for the strike?" the man with the microphone asked, thrusting it under Clasper's chin.
- I told him and we reached the CHAB studios with only a few moments to settle Mr Murray before the microphone and be ready for the red light signifying we were "on the air".
- The two microphone techniques mentioned earlier were then rivals, and professional engineers and amateurs could not easily switch from one to the other, much less judge absolute fidelity.
- Dressing for television is covered at length (ties made from madder silk and with an Olney knot at the best for keeping the microphone in place).
- Getting used to acting with the voice only and knowing how to use the microphone are basic features of good radio technique.
- The circuit is based around the LM3914N dot/bar driver i.c., with a simple 741 op. amp microphone amplifier.
- An electronic circuit, complete with microphone and battery are concealed within the tie, which for ease of use should be a clip-on type.
- The Health chairman was unmoved (leading Awlad Amira to remark later that everything had already been decided, there was no true democracy) and was about to raise another aspect of the question when a speaker at the public microphone began to talk about the roads, mentioning the present high cost of transport across the Sahara.
- Beware of feedback, the dreadful shriek or whistle when a microphone is in front of a loudspeaker (the inanimate, not the human kind).
- There is a tragic buffoon with bald pate and flowing hair; a short, bespectacled man entering a grey and paunchy middle age; and Gallotta himself, who patters manically around the stage, fixing the dancers with an unfocused glare, while waving his arms and muttering instructions down a microphone.
- We had about six or seven weeks to finish the album and by the last week, I didn't have a vocal on two of the tracks and this is where it actually began - David writing on microphone.
- From then on the atmosphere was electric, as speaker after speaker emotionally declaimed their opposition to the power station from a spotlit microphone, followed by echoing bursts of applause.
- The perennial fascination of Karajan's 1954 recordings of Mozart's Cos fan tutte and Strauss's Ariadne auf Naxos lies partly in the exquisitely cast singing and playing, partly in the use Legge and Karajan made of studio conditions to create performances of radical intimacy, the music-making addressed to the microphone and the private listener rather than belted out across some putative theatrical footlights.
|
|
|