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Перевод: tack
[существительное] гвоздик с широкой шляпкой; сапожный гвоздь; кнопка ; канцелярская кнопка; чертежная кнопка; стежок ; наметка ; соединение; галс ; курс ; политическая линия; липкость ; клейкость ; пища ; провизия ; [глагол] прикреплять гвоздиками или кнопками; прикреплять; приметывать; приметать; присоединять; сметывать на живую нитку; поворачивать на другой галс; лавировать; менять курс; изменить линию поведения; изменить мнение; менять политический курс; добавлять; внести поправку в законопроект
Тезаурус:
- Another letter in The Times , from Sir Robert Robinson, drew attention to Florey's work and set enquirers off on a new tack to Oxford, but their journeys turned out to be unrewarding.
- If time is at a premium or you really hate tack cleaning, think about investing in a synthetic saddle and bridle for everyday use and keeping your leather tack for best.
- "The sun's gone behind the sail, I'll have to tack."
- On the album I make the comment that somebody had asked me the same question and I said, "Yep, my left hand's doing good, right hand's doing alright, my mind's as sharp as a tack.
- Sir David, knighted in 1982, has swung his paper behind critical issues: it started campaigning on environmental issues a year ago just as the Conservatives switched tack.
- Tack
- Synthetic tack, such as this bridle from Thorowgood, will save you time and money.
- Of course, none of us particularly likes an opponent to change his tack, let alone his apparent nature, and Nonconformists who had listened to Dean Stanley and remembered the latitudinarianism of Thomas Arnold found it difficult to tolerate Lord Halifax and Bishop King.
- Let your tack dry away from a direct source of heat; don't put it in front of a radiator or fire, or the leather will become brittle.
- Make sure you've regularly checked all tack and equipment for stitching etc.
- You are sailing on "port tack" when your left hand is the one nearest the mast.
- However, when you tack it should be for tactical reasons.
- Strauss's annotations of Hofmannsthal's libretto are discussed in detail, as is the harmonic structure of the opera which Gilliam identifies as tonal, thus supporting others' views that Strauss's next opera, Der Rosenkavalier, was not such a change of tack as it is often represented to be.
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